Chrissie Tiller Some of Her Work With the Socially Engaged Art
Recent Publications/Reports
Collaborative and Socially Engaged Practice
Care as a Radical Deed Remember-piece in response to my role equally COVID-19 Writer-in-Residence at Centre of Glass.
Power Upward. Think-piece for Artistic People and Places, Arts Quango England – unearthing and unpicking some of the complexities and challenges of sharing power within collaborative arts practice. And follow up piece. Sharing Power from Participation to Collaboration.
The Northern Kinesthesia of Social Art Practise Trans-disciplinary and dialogic learning model for socially engaged artists.
Participatory Arts and Customs Development: Taking Part. Ch. 8. Community Research for Community Evolution. Edited Marjorie Mayo, Zoraida Mendiwelso-Bendek, Carol Packham.
Participatory Arts Alphabet. For Calouste Gulbenkian Sharing the Phase.
CREATE NEWS The Spectrum of Participation. Essay on the Spectrum of Participation created by Chrissie Tiller. 17 Oct 2014
Review of International Participatory Arts Practise. For Artworks Alliance.
Sharing Power. https://www.britishcouncil.org/arts/civilization-development/our-stories/sharingpower Reflections on Power Upwards i year after
Policy and Practise: Quality. For Sharing the Phase, Calouste Gulbenkian Foundation
Policy and Practice: Working with and Influencing the Mainstream. For Sharing the Stage, Calouste Gulbenkian Foundation
Preparing the Reflective Practitioner: Theatre Exercise as Reflective Procedure. Ch. 9. Hybrid Lives of Teaching Artists in Trip the light fantastic and Theatre Arts: A Critical Reader ed. Mary Elizabeth Anderson & Doug Risner
Academy of Participation: Timecase. C.Tiller, L. Ebert, T. O'Brien. pps fourteen-sixteen
Praxis Volume 1:Eds. Chrissie Tiller & Patrick Fox.
Praxis Volume two. The Town equally Art Centre.Eds. Chrissie Tiller, Patrick Fox, Heather Tiptop Morison & Emma Fry
The Agency Ground-breaking Programme for young people. BAC. Contact Manchester.
Whoarewe? Reflections on Counterpoints Arts plan. Tate Exchange
Becoming the Change Nosotros Wish to Come across. pp 36-39. 'Reminder' ELIA Conference Gothenburg.
Arts in Pedagogy
Drama in Education and Immersive Theatre: the Nature of Participation pps 121-125 Scena Theatre Mag. 3/2015 Find English language version at: http://issuu.com/chrissiet/docs/article_for_scena
Developing Agency through Drama. English version. pps 17-22 The Part of Culture in Schoolhouse:Drama in Didactics
Unlike but Equal. Informal Learning in the Arts http://www.circostrada.org/IMG/pdf/SAWA_3_EN.pdf
Artists in Artistic Instruction. C.Tiller and S. Clifford for European union.
Oval Business firm Futurity Stages Case Written report: working with 'In Role' Drama
Option of Arts Professional person Blogs 
Tin a Toolkit Solve the Fine art Sector'due south Course problems? A conversation between Julie Lomax of a-north and Chrissie Tiller in response to Jerwood Arts toolkit for cultural organisations.
The Ability of Putting Theory into Practice. The Importance of critical reflection in socially engaged arts practice.
Women in Waiting? Why is the lath and founding team at the new Creative Industries Federation 85% male?
The Thatcher Hangover. Thatcher's legacy for business models in the arts.
A bid for new audiences? Cheap ticketing schemes lone will never be the answer to bringing in more than diverse audiences.
Does opera need famous faces or different places? Bringing opera into everyday spaces may augment its audience.
A slice of the block. Reflection on two occasions recently when I held stakes and took part (in the arts).
Inventiveness Ltd. Response to Culture Capital Exchange's Inventiveness and Business: Connectivity, Values and Interventions conference.
More bread and circuses. Arguing for the value of an 'austerity Olympics'
Posh, posher, poshest. Reflections on the new wave of 'poshness' in the arts.
Goals and Glory: lessons from the manager'due south bench? Thoughts on the lessons the arts could larn from football.
The price of everything and the value of null? Questioning the social impact of the arts.
I'1000 all right Nick Speaking out on cuts to education and learning departments.
The grit in the oyster. Is calling ourselves (creative) industries is useful in the 21st century?
Other
A Matter of Ambition: Re-visiting class in 21st century Great britain.
Lost and Establish In Translation: Working in intercultural contexts.
New Bargain or No New Deal: Revisiting Roosevelt's policies for the arts in the context of a UK recession
Source: https://chrissietiller.com/publications/
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